Skip to main content

What's The Fuss About The Spanish Riding School?

  The firing of Andreas Hausberger, Chief Rider at the Spanish Riding School after 40 years of service is not the first 'firing' of the elite trainers at this heritage institution and most likely based on precedent won't be the last.


I was fortunate to visit the SRS when the horses still lived at the palace. Shopping for a stallion at the school I enjoyed riding stallions in the grand hall and at Piber, and experienced first hand the work of the riders and Chief Rider at that time, Arthur Kottas. In my previous career I had also worked with an earlier Chief rider at the SRS, George Wahl after he had left the now, unenviable position. That was a long time ago now - back in the days where Christine Stückelberger and Granat were the highlight ride at the yard where I trained.

The days of the classical dressage were numbered, and those last years of the 1990's were truly the end of the institutional training in the classical art. The advent of rollkür was embraced by the trainers at the school soon thereafter, as witnessed far and wide in warm up arenas around the world where the Lipizzaners were to be presented to perform their exhibitions.

Even the employment of the first non-rider as Director, in the appointment of Dr. Ouhlehla was heralded as such a significant change in the traditions of the school that many dressage enthusiasts and masters of the art shook their heads in dismay. The poor man was pulled in every direction, forced to get out and about to promote the breed he spent much time abroad and followed on the heels of the circus Lipizzan promotional tour group that truly was non-classical by the time it finished its showcase life. The Colonel Ottomar Hermann Jr. founded the troupe, but almost inevitably it too fell into 'circus' rather than authentic classical dressage training.

As a young lad, my husband Paul, like myself also a Grand Prix competitor/clinician/coach, was fortunate to be extended an invitation to complete an intensive 'retreat' training program at the Hofburg Palace, and learned much from his time there though he narrowly missed out on George Wahl and instead was under the guidance of a then Chief rider, Karl Mikolka. As Paul's UK trainer, James Belman's ( who also made taught UK dressage team rider Dane Rawlins as a young lad) mentor was Alois Podhasky, it was little wonder that such introductions could be made, and access back then was very hard to attain and available only to an elite few.

Looking back career wise, it is not too surprising that the classical works of the SRS pop up in trainers both Paul and I have worked with, and not just trainers. We have also worked with students from Hermann's troupe, Mikolka's and Kottas and Hausberger's training programs as clinicians and horses that were dispersed from their 'collection'.

Interestingly there are common themes of issues we see among the students and horses from these various programs. For example, mastering flying changes are commonly a stumbling block for some of the students from these programs. Shortfalls somewhere exist in all dressage training, and the horses that students ride and train themselves always tell the story, as do the horses you try at the palace when seeking to make a purchase of a stallion.

The theorists would express sincerely held opinions as to where things have gone wrong or right at the SRS. For us, we saw the change as it happened and determined that entering Lipizzan breeding and training was not a move we should make. In the end, we imported horses from the Elite Hanoverian auctions for many years and declined offers for horses to bring back to the USA from the good Dr. O. 

(The VHW is another organization that has significantly changed, but that is another story).

We moved along to the Iberian breeds and for many years bred horses in Spain and Portugal alongside Hanoverian horse we produced here in the U.S.A. After a good decade or more in the German program breeding Hanoverians, and from intensive retreats and learning with the great Herbert Rehbein, Gabrielle Grillo and Shülten-Baumer, today our influences hail back to where we began, with a strong French influence in our training and lightness in our hands and hearts as riders.

Life is a journey and certainly training horses from start to finish in dressage is an art. The service that riders such as Hausberger and the long line of riders before him have provided to the world of dressage will not be expunged simply by the needling and imbecilic actions of the new 'industry' captains at the school removing him from their website or writings. 

But sadly, although Andreas Hausberger will likely be ever more in demand than he already is for clinics and advice to dressage riders, the ones that ultimately suffer will as always be the horses. Heritage is not something that sits in isolation, it is a living entity in the realm of horses and when the ticket sales take priority over the training, the enterprise as whole is doomed to failure. 

Government appointments, nepotism, political disruptions and wars have all scarred the school. In this author's opinion, the decline of the school has been going on for the last 30 years, and this is simply another nail in that coffin. 

I was blessed to live in a time where visits to Piber involved meeting like minded horse folks and to experience the school's training from the icons of the past such as Podhasky, handed down with loyalty to the brief by Belman, Wahl and his like.


If you want to succeed as a dressage trainer it will be always be necessary to do your own homework by picking up a book and reading the masters words. Those you don't agree with or do, all have valuable gems to share. From Baucher, L'Hotte, Steinbrecht, Podhasky, or others. 

And Paul and I will continue to strive to improve our training methods, honor the horse first and the classical methods second, third and to the last. 

Paul Alvin-Smith riding ANCCE stallion Celesto IV

Excerpt from article: Lightness in Dressage -  "I heard the German School is dead" reprinted with kind permission of Catskill Horse magazine.

"Perhaps the famous écuyer Francois L’Hotte would be turning in his grave at the prominence of Rollkür, in this author’s opinion is an abusive method of training. According to the photos posted online, Rollkür is apparently even utilized as a training method by the renowned Spanish Riding School of Vienna (not in Spain at all). A sad state of affairs indeed and which I dearly hope will be corrected in the future. This abhorrent method of riding the horse with his head deep down on his chest by means of forceful rein manipulation is not to be mistaken for the suppling exercises of the bascule of the horse for brief periods to stretch the neck, which is entirely useful and kind to the horse..."

 


 

 

Comments

Popular posts from this blog

Dressage Bit Contact: The Dreaded Break at the 3rd Vertebrae and How to Resolve it

Schooling challenges: Inheriting a horse that has been trained incorrectly and breaks at the 3rd vertebrae - It is much easier to work a horse correctly from the beginning than to have to 'fix' an issue later on as we all know. Our latest equine protegee, this lovely stallion - has received minimal training and but has shown at Training Level in Canada ~ however somewhere along the line he was ridden incorrectly and allowed to hide behind the vertical. Though he scored well the judges comments noted inconsistent contact. As he does not have an excessively long neck this is an interesting achievement. How to resolve it? We'll begin by working him a little in front or above the bit, sending him forward and setting a good rhythm from the get go. Then we'll encourage him to take the reins and stretch over his back and out down in front, without putting his head too low i.e. not below the knee - he must learn to take the contact and to take his part of it consistently. T

Flying Changes Problems Answered

The fun to do, fun to train, dressage flying change is truly like dancing with your horse. Unfortunately all too often issues arise during training that make them less than perfect. Major issues which are very common include swinging of the hindquarters ( which will cause lots of issues with tempi changes so be warned), changes that are late behind, swishing tails during the change, changes that are not forward, where the croup is high and the horse shows stiffness behind. In the latter event the horse will cover very little ground as he is not 'flying' through the change. Other issues that occur in training are running off after the change, bucking, coming above the bridle and the riders hand. Do not despair! There is some discussion as to which leg should push hardest during the change and to whether there should be a lightening of the seat during the movement. From my experience and training, lightening the seat is to be avoided. Stay straight, do not collapse a hip and

The Grand Prix Dressage Test ~ All Chopped Up With No Place To Show

The new shortened version of the Grand Prix dressage test will be showcased at Olympia, London, UK, this December. The new test has not been well received in the dressage community and there are many good reasons why.   Are You All In With The New Test? ( Photo: Brittany Fraser and All In) The FEI seems to have gone for a shorter test, thinking this means more spectator interest which is ridiculous as the reduction of the test by 2 minutes per test will not mean more viewers. What it will do is to reward the horses at the very top of the sport already, that have crowned their talents with excellent 3 'p's movements.  The new test offers lots of activity early in on the test which means no time to allow the horse and rider to settle into the test. While much of it feels more like an Intermediate test than a Grand Prix, the missing elements such as the zig zags would have Wolfgang Niggli turning in his grave. The rein back also missing will have many clas